OCTOBER 31, 2024: HAPPY HALLOWE’EN!

Due to circumstances beyond both our control and comprehension, the publication date for All the Quiet Hours has been pushed back five weeks. The new release date is Dec 21. The audiobook is nearly finished and while $29.99 does seem exorbitant, we did our research before arriving at that price point. Most independent Canadian publishing houses charge that amount for their Audiobooks, some of which barely crest 300 pages. AtQH is nearly 800 pages. The MP3 is over ten hours long. We’re not trying to gouge you, we promise.

In other news, we just acquired the Canadian publishing rights to an absolutely fantastic non-fiction work titled The Making Of America (we adore the cheeky reference to Gertrude Stein) by Neebin Armstrong, a talented young writer from Saskatoon whose first name is the Ojibwe word for summer. The closest literary companions we can think of for The Making of America are Louis Menand’s American Studies and Walter Benjamin’s unfinished Arcades Project, a landmark interdisciplinary work encompassing a social history of Paris’ famous indoor arcades, Benjamin’s own personal musings, and pertinent quotes from obscure works of philosophy, historiography, fiction, and even scripture.

Armstrong’s book is a secret history of America, starting with a geological prelude describing the majestic Missoula Floods that scoured and formed the central Washington scablands. What follows is a profile of Moncacht-Apé, a Yazoo explorer from the present-day Natchez area of Mississippi who was one of the most well-traveled human beings of his time. He traveled north from Natchez to present-day upstate New York where he saw “the Great Waters” of the Atlantic Ocean. He spent the winter with the Abenaki people, where he met an old man who told him of a waterfall one could hear a full day before seeing. This old man took Moncacht-Apé to Niagara Falls the following spring. The traveler was astonished by what he saw, writing in his diary “I had never been able to believe what the old man had told me, but when my eyes and my senses beheld, I saw that he had not said enough for that which my eyes saw. This river does not fall. It is as if it is cast, the same as when an arrow falls to the ground. The sight made my hair stand on end and my flesh creep.”

After that the two men killed a bison, smoked it and split it before parting ways. Moncacht-Apé then headed to the Pacific Northwest where he saw the other “Great Waters” of the Pacific Ocean. In less than four years, Moncacht-Apé travelled 13, 000 km, saw the Atlantic Ocean, Niagara Falls, and the Pacific Ocean. And yet his story is never taught in history classes. From there, Armstrong writes about migrant Chinese and Japanese labourers who helped build both Canada’s and the United States first transcontinental railroad.

As the book moves forward into the twentieth century, she shifts her focus to outsider artists like Eldren Bailey and Consuelo González Amezcua, obscure film directors of the ‘30s and ‘40s to musical artists like Jandek and Daniel Johnston, to obscure self-taught writers like Malcolm McKesson and Sister Gertrude Morgan. By the end of the book, you’ll be amazed by how much history has been hidden from us. Hopefully works like The Making of America will help to shine a light on artists, musicians, writers, and travellers whose names would be lost to the mists of time if not for dedicated historians and writers like Walter Benjamin and Neebin Armstrong.

Armstrong is currently hard at work completing her final draft. “The writing is finished but the editing is not,” she told us in a recent email. We have tentatively scheduled her book’s release date for July 4, 2024. What better time to unleash upon the world a book about the secret histories of America than Independence Day?

The Making of Americans has been called “a landmark in 20th century literature.” We might be a micro-press run by two Luddite librarians out of our apartment, but we think Neebin Armstrong’s The Making of America could - nay should - one day be called “a landmark in 21st century literature.”

Whether you’re dreaming or reading or writing, go big or go home.

Danny Lindsay’s All the Quiet Hours will be published December 21, 2024. Neebin Armstrong’s The Making of America will be published July 4, 2025.

We could not be prouder or more excited to help guide these books to publication. To bestow them upon the world. As a writer once wrote, “fiction builds muscle. The human muscle.”

Touché, young scribe. Touché.
- Liz & Sharon

AUGUST 1 2024: ALL SHOOK DOWN

We are absolutely delighted to announce that we are currently SOLD OUT of all physical copies of Paige Dauphine’s Forgiving Latitudes. Being our inaugural release, we printed an optimistically high number of units. Friends of ours called us crazy. Competitors laughed at us. And yet here we are, fifteen months later and without a single solitary physical copy left. We will be printing a second, albeit slightly smaller run, given the sheer demand, and the Ebook is still available in both EPUB and PDF formats. We are presently trying to get an Audiobook version ready, though it hasn’t been easy to find the right candidate. Paige is far too shy to do it herself, and is also living proof of the adage that authors are not always the best narrators of their own work. It takes a different skill set. Some of the world’s best writers can’t read out loud to save their lives.

Some of you may recognize the background of this post as the front cover photo of The Replacements’ 1990 swan song All Shook Down. When asked why he chose this particular photo for the cover, frontman Paul Westerberg said “they just looked like they didn’t have a chance.” Five years earlier Tom Waits had just released the second of a trilogy of albums that began with 1983’s Swordfishtrombones and ended with 1987’s Frank’s Wild Years. But the most memorable of the three is 1985’s Rain Dogs.

You know how after the rain you see dogs that seem lost, wandering around?” Waits asked. “They lose their way because the rain erases the scent trail that would ordinarily guide them home.” Whether true or not (it does sound uncannily novelistic), it’s an irresistibly poetic notion: rapscallions out on a bender so protracted they forgot how to get back home.

Indeed, the coterie of characters Tom Waits sings about on Rain Dogs and Paul Westerbeg sings The Replacements’ All Shook Down are of the same ilk as the characters in classic American writing about the down and out. Novels like Denis Johnson’s Angels or Willy Vlautin’s The Motel Life or Djuna Barnes’ Nightwood or Don Carpenter’s Hard Rain Falling each have their own rogue’s gallery, whereas those who prefer poetry to prose will find similar territory in Frank O’Hara’s Meditations in an Emergency or Ocean Vuong’s Night Sky With Exit Wounds or Evelyn Lau’s You Are Not Who You Claim.

The same defiant spirit runs through the pages of Paige Dauphine’s Forgiving Latitudes, Xuân Thì Nguyên’s Chém Gió and Danny Lindsay’s All the Quiet Hours. Prose and poetry populated by wage workers with secret drug addictions, brokenhearted immigrant so upset it physically, alcoholics bent on drinking themselves to death, unhoused individuals who sleep in doorways, loan sharks, dope fiends, drug dealers, pool hall hustlers, sidewalk buskers, junkies, alcoholics, travelling musicians…poets and writers and artists all, the urban dispossessed.

Paul Westerberg chose those mournful mutts because “they looked like they didn’t have a chance.” We like the cover because those dogs remind us of us. Pelted by the elements but determined to persevere. That’s us.

Paige Dauphine’s Forgiving Latitudes is still available as an Ebook. Simply send payment via PayPal to vacantcityeditions@gmail.com. Watch this space for updates on a second printing.

Order your physical copy of Xuân Thì Nguyên’s Chém Gió while you still can.

Danny Lindsay’s All the Quiet Hours will be available in Paperback, Ebook, and Audiobook this November 15.

For the remainder of the year, 20% of all purchases will be donated to Palestinian and Ukrainian humanitarian relief efforts.

  • Liz & Sharon

June 11 2024: ALL THE QUIET HOURS

VACANT CITY EDITIONS will be publishing Toronto writer Danny Lindsay’s debut novel this autumn.

Generous in scope and scale, All the Quiet Hours is a nostalgic summertime epic about reading, writing, remembering, and misremembering. It’s also a cautionary tale about toxic friendships and the limits of loyalty.

We’ll be taking pre-orders for the paperback ($29.95), eBook ($16.95) right here as of October 15th. You can view the full jacket artwork below. Physical copies will be available in select bookstores on November 15th 2024.

For fans of: Donna Tartt’s The Goldfinch, Stephen King’s “The Body,” Camilla Way’s The Dead of Summer, Ray Bradbury’s Dandelion Wine, Dow Mossman’s The Stones of Summer, Dean Koontz’s The Voice of the Night and Meg Wolitzer’s The Interestings.

  • Liz & Sharon

DECEMBER 11 2023: CHÉM GIÓ READY TO GO

VACANT CITY EDITIONS is excited to announce the upcoming publication of Xuân Thi Nguyễn’s debut poetry collection, Chém Gió.

“Waking up every morning to face the blank page is a tough row to hoe, but it’s worth it,” says Nguyễn. “These poems were inspired by my experiences as a young Vietnamese-Canadian immigrant growing up in Scarborough. I experienced racism, bullying, indifference, violence, heartbreak, culture shock, and even ancestral trauma passed down to me from the Vietnam War.” 

Drawing on poetic influences as disparate as Souvankham Thammavongsa, John Ashberry, Evelyn Lau, and Percy Shelley, Xuân Thi Nguyễn’s agile wordplay and atmospheric imagery give her poetry a stark power. We will be accepting pre-orders right here as of February 1st 2024, while physical copies will be available in select bookstores across this city and country. VACANT CITY EDITIONS and Xuân Thi Nguyễn extend our gratitude to the ONTARIO ARTS COUNCIL, the TORONTO ARTS COUNCIL, and the CANADA COUNCIL FOR THE ARTS for their support of the author during the writing of Chém Gió.

For fans of: Souvankham Thammavongsa’s Small Arguments: Poems, Roy Miki’s Surrender, Dionne Brand’s Land to Light On, Evelyn Lau’s You Are Not Who You Claim, Oana Avasilichioaei’s Expeditions of a Chimæra, and Ngu Sac Anh Sang by the Hong Ha Women's Group (Kieu Bich Hau, Do Mai Hoa, Khanh Phuong, Vo Thi Mai, and Pham Van Anh).

  • Liz & Sharon

APRIL 2 2023: FORGIVING LATITUDES/UNENDING GRATITUDE

VACANT CITY EDITIONS is pleased to announce the arrival of our inaugural release, Paige Dauphine’s Forgiving Latitudes, a collection of gritty-yet-pretty poems of urban and rural isolation written over the course of 12 months alone in the Mojave Desert. Like other classic works about solitude (Edward Abbey’s Desert Solitaire, Cheryl Strayed’s Wild, Jack Kerouac’s Desolation Angels, and Henry David Thoreau's Walden), Dauphine’s exile led more often to boredom than epiphanic moments. “I didn’t gain some new, self-sufficient identity,” she insists. “I lost my identity.”

You can order Forgiving Latitudes right here.

Forgiving Latitudes is “not an instructional manual for transcendentalists or people who want to be alone,” insists Dauphine. One of the book’s finest poems, “Purple Pandemonium,” is about a relationship. Not exactly the work of someone who has spurned society. There is a lot more than isolation going on in these pages. There’s even a coy reference to Archibald Lampman, a poet once described as “the Canadian Keats.”  

Paige Dauphine will be hosting a live reading at The Anarchist at 190 Jarvis Street on the evening of Tuesday April 18th. We consider it a perfect venue for her work’s fiery collision of the personal and the political. Owner Gabriel Sims-Fewer is thrilled to host Dauphine in his self-described “anti-capitalist, anti-colonial café, shop and radical community space on stolen land.” (Speaking of anti-capitalism, this seems like the perfect place to announce that the author extends her thanks to the Ontario Arts Council and the Canada Council for the Arts for their support.)

The live reading will begin at 7:00 p.m. sharp and Paige will be sticking around afterwards to sign copies and answer questions. We hope to see you there!

We are currently accepting orders for Forgiving Latitudes. You can buy our books via PayPal: vacantcityeditions@gmail.com We will not work with corporate chains but we have to balance our anti-capitalist stance with our zeal for promoting our writers. So we are currently working to get both our inaugural release and subsequent publications into independent brick-and-mortar bookstores across Canada. Please revisit this webpage periodically for updates on this matter.

Forgiving Latitudes is for fans of: Marguerite Anderson’s Dreaming Our Space, Marie Buck’s Unsolved Mysteries, Archibald Lampman’s Winter Evening, Debbie Strange’s The Language of Loss, Arielle Twist’s Disintegrate / Dissociate, Amber Dawn’s How Poetry Saved My Life: A Hustler’s Memoir, and Railtracks by Anne Michaels and John Berger.

  • Liz & Sharon

ABOUT VACANT CITY EDITIONS:

  1. We are not Toronto’s answer to Glimmer Train. We freakin’ wish. God bless Linda & Susan.

  2. We are not Coach House Books or ECW Press (not that there’s anything wrong with them).

  3. VACANT CITY EDITIONS was initially conceived as a way to try and help Toronto’s vibrant artistic community get back on its feet after the social and economic devastation wrought by the COVID pandemic lockdowns.

    VACANT CITY EDITIONS primarily works with previously unpublished Canadian writers but we encourage submissions from other nationalities as well. We seek new and exciting perspectives in poetry and prose. We encourage submissions from writers who identify with diverse communities and/or marginalized groups. We read and respond to all submissions but we do not critique them.

    We do not hold our writers under contract and we have a unique profit-sharing structure. After printing and marketing costs are recouped, all $ is split 50/50 between the writer and publisher. Our writers retain the copyright to their work in perpetuity and are free to republish elsewhere if bigger or better opportunities present themselves. We are decidedly anti-capitalist businesswomen. Profit is not our primary motivation. Publishing quality prose and poetry is our core mission.

    SUBMISSION POLICY: Please do not send full manuscripts. Draft a succinct, one-page pitch for your novel or short story collection or memoir or graphic novel or poetry collection and send it to us (.doc or PDF please) alongside a 10,000 word sample of your work (roughly 40 pages in double-spaced 12-point font, in .doc or PDF format). If we like what we read, we’ll ask for the full manuscript. Talk about a few of your favourite authors in your submission. How many books do you read in a year? Do you have a preferred genre or do you read anything and everything you can get yours hands on? We want to know these things. Please note that we do not respond to authors who submit unfinished work.

    We recently (and reluctantly) joined Twitter in order to promote our books. Follow us if you’re on there.

    Finally, ALL our books are available in both paperback and eBook (PDF or EPUB). We are currently working on getting our titles available in audio format. We hope to have audiobooks available by 2025.

    - Liz & Sharon

    Email: vacantcityeditions@gmail.com
    Twitter: @vacantcitybooks